Theeyaattam also known as Theeyaattu (Tīyāttu) is a traditional dance form performed by the peoples of Theeyaattunni and Thiyaadi Nambiar,a sub-caste of Ambalavasi community in Kerala of southwestern India. There were two types of Theeyaattam - Bhadrakali Theeyaattu and Ayyappan Theeyaattu. Bhadrakali Theeyattu is performed by Theeyaattunnis (a Brahmin community in Kerala) whereas Ayyappan Theeyaattu is performed by Tīyyādi Nambiars (Ambalavasi).
Bhadrakali Tiyyattu is a ritualistic dance usually performed in Bhadrakali temples, mostly in the Pathanamthitta, Alapuzha, Kottayam and Ernakulam districts of south-central Kerala. Pallippurathu Kavu at Kottayam (family temple of Kottarathil Sankunni) and Vanarkavu at Madakkathanam, near Thodupuzha,Puthukulangara Devi Kshetram near Thiruvalla are some of the places where tiyyattu is performed during annual festivals. It is also performed as an offering at temples and houses.
The performance has many parts of which - preparation of the ritual art known as kalam (Kalamezhuthu), singing songs in praise of Bhadrakali and the performance of the dance are a few. Kalamezhuthu is done during the day using natural coloured powders on the floor. An elaborate picture of Bhadrakali is normally made. The singing of the songs take place after the Kalamezhuthu is finished in front of it and may last up to three hours. For the dance a male member dresses up as Bhadrakali, a creation of Shiva. In the performance she is just back from killing Darika and is telling the events to Shiva who is symbolised by the lighted lamp. As she was affected by small pox and has pockmarks on her face she has her back to the lamp almost throughout the performance.
Shree Bhadra Kalasamajam, Kottayam made some efforts to revive and reform the art.As it is being as a ritualistic art form and has strict traditional rituals which are strictly followed even now,Theeyattu cannot be modified at one's will.
Ayyappan Thiyyattu is a temple art performed by the Thiyyadi Nambiar community, a minuscule ambalavasi community living (basically) in three central Kerala districts of Thrissur, Palakkad and Malappuram. The all-male art centres around the mythological story of the birth of Lord Ayyappa from the relationship of Lord Vishnu in his ephemeral impersonation as Mohini and Lord Shiva.
The most common version of Thiyyattu involves four phases of presentation: a) Kalamezhuthu (sketching the kalam—picture—of Ayyappa using natural pigments), b) Kottum Pattum (rendition of invocatory songs of Ayyappa and a stylised narration of the story of his birth), c) Koothu [[gesture-laden dance enacting the build-up story to the delivery of the lord) and d) Velichchappaadu (the slow-paced to frenzied dance of the oracle who eventually erases the kalam—the image of the lord sketched on the sanctified floor). It takes roughly a couple of hours for the kalam (image) of the lord to be completed, after which the rest of the three rituals would consume nearly three hours altogether.
The picture of Ayyappa is sketched and embellished in five natural colours—white (rice powder), yellow (turmeric powder), green (ground semi-dry leaves of the 'vaaka' or manchadi' tree, red (a mix of turmeric powder and slaked lime) and black (powdered charred rice husk). The lord invariably holds his weapons like the sword and the bow-and-arrow, and, in more elaborate versions is sketched mounted on the tiger or the horse.
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